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During the painting process I discovered a trick that helped me work through some difficult parts. Whenever I found myself having to paint something that felt really challenging and stretched my skills outside of the comfort zone I would switch to painting with one of my smallest brushes. There was something about forcing me to make lots and lots of little marks that made the work look better. The little marks created more texture and forced me to make minute little details that can only be really seen up close. From a distance though they translated to highlights and shadows that overall made the painting look better. Changing brush sizes also made me change gears mentally; instead of trying to make the part fit into the whole painting perfectly, which became overwhelming, I just worked out that one little part. Once the fairy's face was working I could move on to making their body work. And then the wings, and then scenery around them, and so on.
During the painting process I discovered a trick that helped me work through some difficult parts. Whenever I found myself having to paint something that felt really challenging and stretched my skills outside of the comfort zone I would switch to painting with one of my smallest brushes. There was something about forcing me to make lots and lots of little marks that made the work look better. The little marks created more texture and forced me to make minute little details that can only be really seen up close. From a distance though they translated to highlights and shadows that overall made the painting look better. Changing brush sizes also made me change gears mentally; instead of trying to make the part fit into the whole painting perfectly, which became overwhelming, I just worked out that one little part. Once the fairy's face was working I could move on to making their body work. And then the wings, and then scenery around them, and so on.